Foreign K-pop trainees allege exploitation, false promises and harassment at Seoul academy

As K-pop’s global popularity continues to rise, South Korea has become a magnet for young aspiring performers from around the world. The BBC reports on the experiences of several foreign trainees who enrolled in a Seoul-based K-pop training academy, revealing allegations of false promises, poor training standards, and sexual harassment within a largely unregulated system.

One trainee, referred to as Miyu to protect her identity, travelled to South Korea in 2024 after paying approximately ¥3m for a six-month programme that promised professional vocal and dance training, as well as regular auditions with major entertainment agencies. According to Miyu, these auditions never materialised and lessons were infrequent and below expectations. She also accused a senior staff member of inappropriate behaviour and sexual harassment. The company has denied all allegations.

Two other foreign trainees who attended the same academy shared similar concerns. One alleged sexual harassment by the same staff member, while another said she witnessed inappropriate conduct. All three stated that promised audition opportunities did not occur. The academy reportedly catered almost entirely to foreign students, many of whom were in Korea on short-term tourist visas.

The case highlights regulatory gaps in South Korea’s entertainment industry. The academy was registered as an entertainment agency rather than a private educational institution, placing it outside the scope of education laws and inspections. Oversight by the Ministry of Culture is limited, leaving trainees with little protection.

One former trainee, Elin, filed a police complaint alleging sexual harassment and trespassing in dormitories, but the case was dropped due to insufficient evidence. She is now pursuing legal action against the company for breach of contract. Despite these controversies, the academy continues to recruit students.

While the K-pop industry has produced successful foreign idols, the report underscores how difficult and risky the path can be, especially for young foreigners facing language barriers, visa restrictions and power imbalances. Despite her trauma, Miyu says she still dreams of becoming a K-pop idol, hoping that future trainees can pursue their ambitions in safer conditions.